Jr monterose is alive in amsterdam paradiso

It was the emergence of local record labels in Detroit in the 1940s and 50s which helped the blues scene to flourish, compared to the 1920s, when blues artists generally emigrated to Chicago to record their music. Some small labels, including Staff, Holiday, Modern, and Prize Records, only existed for a brief time, while other labels experienced greater success. [11] The most prominent of the Detroit-based labels from this era was Fortune Records , and its subsidiary labels Hi-Q, Strate 8 and Blue Star, which ran from 1948 to 1970. Fortune released hundreds of recordings in many genres, including tracks by Hooker, Kirkland, Jenkins, Dr. Ross and Maceo Merriweather. [12]

Performers: Menno Daams, Ian Smith, t; Matthias Seuffert, Alan Barnes, reeds; Adrian Fry, tb; Martin Litton, p; Martin Wheatley, g; Alyn Shipton, b; Norman Emberson, d. 2011

The repertoire includes pieces by Lennie Tristano (“Wow” and “April”), Warne Marsh (“Marshmallow”), Charlie Parker (“Dexterity”), and Thelonious Monk (“Little Rootie Tootie”), a Bob Hurst tribute to tenor-saxophonist Charlie Rouse (“Roused About”) and three Stein originals. While the music often swings in a free bop fashion, there are also freer explorations and moments of unpredictability. The interplay between bass and contrabass clarinets is intriguing and fascinating with Jackson sometimes stealing the show. While Abrams and Rainey are mostly in supportive roles, they keep the music stimulating throughout.

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J R Monterose Is Alive In Amsterdam ParadisoJ R Monterose Is Alive In Amsterdam ParadisoJ R Monterose Is Alive In Amsterdam ParadisoJ R Monterose Is Alive In Amsterdam Paradiso

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